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Owner's Manual
54
Harmony 1 & 2
Press & Hold To Edit
Harmony 2
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Press & Hold To Edit
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Harmony 1 and 2 are used to create the effect of having backup singers singing
harmonies. The Live Harmony adds up to two harmony voices to your lead vocal.
Each Harmony effect is independently adjustable. Common Harmony parameters
can then be edited by turning the knobs from the Preset screen, providing quick
access to overall Harmony level, voicings, and key/scale. Changes made to the
Harmony effects need to be stored to a preset for later recall.
Available parameters:
VOICING
This parameter allows you to set the desired harmony voice interval. The
below table provides a description of each option. Note that the Voicing
parameters for both Harmony effects can be accessed from each effect
module's edit menu or, for quicker access, they can be adjusted from the
Preset screen using the VOICE 1 and VOICE 2 knobs, see the next page for
further details.
Harmony Voicing Option Description
8D, 5D, 3D, 3U, 5U, 8U
Each option indicates the voice interval
and whether the harmony is above (U) or
below (D) the source note. For example,
8D represents a harmony voice an 8
th
interval (or one octave) below the source.
The 3U option represents a harmony voice
a 3
rd
interval above the source.
GAIN (-12 dB-+12 dB)
This parameter adjusts the Harmony effect mix level, with 0 being the
minimum (no effect applied) and 99 being the maximum amount of effect
applied.
GENDER (M50, Off, F50)
This parameter is used to amplify the natural gender that is applied to the
harmony voices. As GENDER is turned towards F50, voices become more
female sounding. As GENDER is turned towards M50, voices become more
male sounding. Selecting the "Off" option in the middle bypasses the Gender
portion of the effect.
PAN (-99-+99)
This parameter places the harmonies in the stereo eld, with -99 representing
the full left stereo position, 0 representing center, and 99 being the full right
stereo position.
HUMANIZE (0-99)
This parameter adjusts the timing of the harmony voices to make them sound
more realistic and more distinct from the source signal, with 0 being the