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of 169
 
Using the Pattern Sequencer
E-117
Table (Chord conversion table)
Recording of each accompaniment pattern is normally performed using C major (root of C, major type).
*
When playing an Auto
Accompaniment, you can use a root other than C and a chord type other than major, if you want. This is accomplished by using a
“chord conversion table” to convert the C major recorded data to another root and/or chord type. Regardless of what root or chord
type you specify, the currently selected chord table is used to make corrections to suit the instrument parts and the type of music
being played in order to ensure musically natural accompaniment.
* Depending on the rec menu “PlayChord” setting. For details, see “To configure pattern rec settings (Rec Menu)” (page E-106).
With this parameter, you can select from among the 19 types of chord conversion tables listed below.
Pattern Sequencer Part Parameters
Number Table Name
Accompaniment
Pattern
Parts Description
01 Bass Basic
*1
Bass Normally used for a bass part.
02 Bass f-root
*1
Bass
Variation of number 01. Always makes the first note the root
note when changing chords.
03 Bass 7th
*1
Bass Used for a bass part recorded with a 7th chord.
04 Bass 7th f-root
*1
Bass
Variation of number 03. Always makes the first note the root
note when changing chords.
05 Chord Basic
*1
Chord Normally used for a chord part.
06 Chord Var2
*1
Chord Used for a chord part that has a tension chord.
07 Chord Var3
*1
Chord
When a 7th chord is specified while playing, the 5th note is
converted to a 7th note. In the case of C7, for example, G
becomes Bb.
08 Chord Var4
*1
Chord Variation of number 05 (Chord Basic).
09 Chord 7th
*1
Chord Used for a chord part recorded with a 7th chord.
10 Chord Minor
*1
Chord Used for a chord part recorded with a minor chord.
11 Phrase
*1
Chord
Used for the chord part to which a phrase (such as a major
scale) was recorded.
12 Chord Minor
*1
Bass Used for a bass part recorded with a minor chord.
13 Chord Minor f-root
*1
Bass
Variation of number 12. Always makes the first note the root
note when changing chords.
14 Penta Phrase
*1
Chord Used for a chord part recorded with a pentatonic scale phrase.
15 Intro n-minor
*2
Bass/chord
When a minor chord is specified while playing, converts to a
natural minor.
16 Intro m-minor
*2
Bass/chord
When a minor chord is specified while playing, converts to a
melodic minor (ascending).
17 Intro h-minor
*2
Bass/chord
When a minor chord is specified while playing, converts to a
harmonic minor.
18 Intro no Change
*2
Bass/chord
Recording of original as-is, with no minor/major conversion in
accordance with chord specified while playing.
19 Intro dorian
*2
Bass/chord
When a minor chord is specified while playing, converts to a
dorian scale.
*1 For NORMAL, NORMAL FILL-IN, VARIATION, VARIATION FILL-IN
*2 For INTRO and ENDING