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Top Panel Controls
Mono Input Channel Section
The following section details four mono input channels.
1. MIC Inputs - Use these balanced XLR inputs to connect
low Impedance microphones and low level signals from
direct boxes. The MIC inputs feature +48V phantom
power, allowing you to use condenser microphones.
XLR Connector pin-out - Pin 1: Ground, Pin 2: Hot (+),
Pin 3: Cold (-)
2. Line Level Input - Use these balanced TRS ¼” inputs
to connect synthesizers, drum machines, effects
processors or any line-level signal. You can connect
balanced and unbalanced devices to these inputs.
TRS phone jacks Connector pin-out - Sleeve: Ground,
Tip: Hot (+), Ring: Cold (-)
3. GAIN Control - Variable GAIN control with a range of +5
to +45dB on the MIC input and -20 to +20dB on the
LINE input.
4. HPF Switch - The high pass filter rolls off the low
frequencies from the XLR MIC inputs from 80Hz and
below at the rate of 12dB per octave. The high pass
filter allows you to remove the lower frequencies that
you don’t want the microphone to pick up. In live sound
applications, the high pass filter is useful for removing
stage rumble.
5. COMP Control (CH1 & CH2) - The COMP knob adjusts
the level of compression applied to the channel. As the
COMP knob is turned clockwise, the compression ratio
is raised and the output gain is adjusted accordingly.
The dynamic range of the channel is narrowed, where
softer signals will be magnified and loud signals will be
subdued to sit better in the mix.
Too much compression can create a pumping effect,
eliminate all dynamic range, and lead to feedback.
6. Equalizer (HIGH, MID, and LOW) - This three-band
equalizer allows you to contour a channel’s high, mid,
and low frequency bands. When the control is set to the
12 o’clock (detent) position, there is no effect on the
signal. Turning the controls fully clockwise will raise the
level of the frequency band +15 dB, while turning the
controls fully counterclockwise will lower the level of the
frequency band -15 dB.
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